<\/span><\/h2>\nNot so much a song, more a taster for what was to come when JW recorded America \u2013 Why I Love Her a few years later.<\/p>\n
I\u2019m fairly sure it didn\u2019t actually feature in the main film, but came as a bonus on the Elmer Bernstein sound track album. I\u2019m aware that Bernstein wrote the melody behind the song, but not too sure who actually wrote the lyrics.<\/p>\n
I actually prefer the subtlety of JW delivery on Texas Is A Woman to the somewhat overblown approach taken on the America album, but maybe that\u2019s just me.<\/p>\n
I understand that the lyrics are based on some of Martha Hyer\u2019s dialogue from the film, so I guess strictly speaking they should be attributed to one of the three scriptwriters, William H. Wright, Allan Weiss or Harry Essex.<\/p>\n
As a matter of interest, other vocal renditions for John Wayne Westerns that never made it into the films themselves include The Sons of Katie Elder by Johnny Cash, which can be found alongside Texas Is A Woman on the soundtrack album.<\/p>\n
The Burt Bacharach \/ Hal David song for The Man Who Shot Liberty Valance, recorded by Gene Pitney, similarly didn\u2019t make it into the actual movie.<\/p>\n
There\u2019s also a song entitled The Comancheros and inspired by the film which was recorded by one Claude King, and can be found on a limited issue of the original soundtrack.<\/p>\n
<\/span><\/p>\n<\/span>North to Alaska \u2013 Opening Credits Title Song \/ Johnny Horton<\/span><\/h2>\nNorth to Alaska \u2013 Opening Credits Title Song \/ Johnny HortonThere are a lot of films that sometimes don\u2019t deserve the music written for them, and this is a case in point.<\/p>\n
I found it hard to like the movie but Johnny Horton\u2019s rendition of the jaunty main theme tune, written by Mike Philips \u2013 the soundtrack was composed by Lionel Newman and Harry Sukman \u2013 gets the film off to a great start.<\/p>\n
Then the film begins and it\u2019s downhill all the way from there.<\/p>\n
<\/span><\/p>\n<\/span>Chisum \u2013 Opening Credits Title Song \/ William Conrad<\/span><\/h2>\nThe beginning to this film resembles very closely the credits for El Dorado, both movies using a montage of paintings to accompany their main themes<\/p>\n
William Conrad, the somewhat portly actor who rose to eventual fame as TV detective Cannon, here recites his lyrics whilst a gathering of anonymous studio singers provide the singing duties.<\/p>\n
Andrew J. Fenady wrote the lyrics for Dominic Frontiere\u2019s composition but, musically speaking, Chisum is noted more for the fact that John Mitchum, who appeared in the film, persuaded Duke to record the album America \u2013 Why I Love Her. And that\u2019s a whole other story.<\/p>\n
<\/span>El Dorado \u2013 Opening Credits Title Song \/ George Alexander and the Mellomen<\/span><\/h2>\nI think I\u2019ve already mentioned somewhere else that this song was voted one of the best cowboy movie themes by the Western Writers of America Association.<\/p>\n
I also said it was a pretty cheesy song, which it is, but on reflection that doesn\u2019t make it a bad song. Just cheesy.<\/p>\n
George Alexander sings it so seriously \u2013 lyrics by John Gabriel and music by Nelson Riddle – you almost believe everything he says is true.<\/p>\n
<\/span><\/p>\n<\/span>She Wore a Yellow Ribbon – Opening Credits Title Song \/ Anonymous<\/span><\/h2>\nYou think initially that the music to the opening credits is going to be orchestral only, then in comes the rousingly sung lyrics to the song She Wore a Yellow Ribbon, which turns into a medley with the addition of the equally exhilarating The Gal I Left Behind.<\/p>\n
The soundtrack credits go to Richard Hagemen who pulled together a number of traditional early American pioneer songs for this and other John Ford films, including Stagecoach and Fort Apache.<\/p>\n
<\/span><\/p>\n<\/span>The Alamo \u2013 The Green Leaves of Summer \/ The Brothers Four<\/span><\/h2>\nNot strictly a JW theme tune, as the main title music is an orchestral combination of De Guella and Green Leaves of Summer.<\/p>\n
The Brothers Four had quite a considerable hit with the latter which, with lyrics by Paul Webster and music of course by Dimitri Tiomkin, was released in 1961 and nominated for an Academy Award.<\/p>\n
I think this might be the most widely recorded of any John Wayne associated film songs, and also probably the most successful commercially. It\u2019s certainly one of the more memorable songs from any of Duke\u2019s films, and turned up nearly fifty years later as the main theme to Quentin Tarantino\u2019s wartime epic, Inglorious Basterds.<\/p>\n
You can\u2019t keep a good song down, that\u2019s for sure.<\/p>\n
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